|
Richard Serra
|
Tilted Arc
|
New York, USA
|
1981
|
|
John Latham
|
Skoob Tower Ceremonies
|
Oxfordshire, UK
|
1964–1968
|
|
Peter Struycken
|
De Blauwe Golven
|
Arnhem, The Netherlands
|
1977
|
|
Joanna Rajkowska
|
Greetings from Jerusalem Avenue
|
Warsaw, Poland
|
2002
|
|
Faith Ringgold
|
For the Women’s House
|
New York City
|
1971
|
|
David Hammons
|
Pissed Off & Shoe Tree
|
New York, USA
|
1981
|
|
Tina O’Connell and Neal White
|
Study for a Pavilion
|
Askeaton, Ireland
|
2017
|
|
Mark Wallinger
|
Time and Relative Dimensions in Space
|
Oxford, UK
|
2001
|
|
Beverly Buchanan
|
Marsh Ruins
|
Georgia, USA
|
1981
|
|
Henry Moore
|
Draped Seated Woman
|
London, UK
|
1957
|
|
Olu Oguibe
|
Monument for Strangers and Refugees
|
Kassel, Germany
|
2017
|
|
Horacio Zabala
|
300 Meters of Black Tape to Mourn a Public Square
|
Buenos Aires, Argentina
|
1972
|
|
Marta Minujin
|
The James Joyce Tower in Bread
|
Dublin, Ireland
|
1980
|
|
Michael Asher
|
Untitled
|
Münster, Germany
|
1977
|
|
Alfredo Jaar
|
The Skoghall Konsthall
|
Skoghall, Sweden
|
2000
|
|
Rachel Whiteread
|
House
|
London, UK
|
1993
|
|
Mary Ellen Carroll
|
Prototype 180
|
Houston, USA
|
1999
|
|
Garth Evans
|
Untitled Sculpture
|
Cardiff, UK
|
1972
|
|
Gordon Matta-Clark
|
Window Blow-Out
|
New York, USA
|
1976
|
|
Katharina Cibulka
|
SOLANGE
|
Ljubljana, Slovenia
|
2021
|
|
Alison Wilding
|
Ambit
|
Sunderland, UK
|
1999–2002
|
|
Sam Durant
|
Scaffold
|
Minneapolis, USA
|
2017
|
|
Lara Almarcegui
|
Demolition of a Wooden House
|
Otwock, Poland
|
2011
|
|
Maddie Leach
|
The Fountain: An art-technological-social drama
|
Lund, Sweden
|
2021–2024
|
|
Jean Tinguely
|
Homage to New York
|
New York, USA
|
1960
|
|
Trevor Paglen
|
Orbital Reflector
|
Space
|
2019
|
|
Nicole Eisenman
|
Sketch for a Fountain
|
Münster, Germany
|
2017
|
|
John Gerrard
|
Western Flag
|
Digital commission
|
2017
|
|
Sasha Kurmaz
|
The Temple of Transfiguration
|
Kyiv, Ukraine
|
2022
|
|
Yu Wen-Fu
|
Outside the Wall
|
Taipei, Taiwan
|
2009
|
|
Andy Warhol
|
13 Most Wanted Men
|
New York, USA
|
1964
|
|
Alberto Burri
|
Grande Cretto
|
Sicily, Italy
|
1985–2015
|
|
aapA
|
Association of Friends of Angel Square
|
Porto, Portugal
|
2007–2021
|
|
Josephine Meckseper
|
Untitled (Flag 2)
|
Kansas, USA
|
2018
|
|
Banu Cennetoğlu + UNITED for Intercultural Action
|
The List
|
Liverpool, UK
|
2018
|
|
Keith Haring
|
Boys Club Mural
|
New York, USA
|
1987
|
|
Henry VIII’s Wives
|
full stop. Dot dot dot
|
Arbroath, UK
|
2014
|
|
Christo and Jeanne-Claude
|
Wrapped Reichstag
|
Berlin, Germany
|
1971–1995
|
|
Amina Menia
|
Enclosed
|
Algiers, Algeria
|
2012
|
|
Kurt Schwitters
|
Elterwater Merz Barn
|
Cumbria, UK
|
1947
|
|
Martin Kippenberger
|
Metro-Net, Transportable Subway Entrance
|
Syros, Greece
|
1993–1997
|
|
James Beckett
|
Palace Ruin
|
Amsterdam, The Netherlands
|
2016
|
|
Tyree Guyton
|
Heidelberg Project
|
Detroit, USA
|
1988
|
|
Kristina Norman
|
After-War
|
Tallinn, Estonia
|
2009
|
|
Gustav Metzger
|
Flailing Trees
|
Manchester, UK
|
2009
|
|
Victor Pasmore
|
Apollo Pavilion
|
Durham, UK
|
1969
|
|
3Nós3
|
Ensacamento (Covering)
|
São Paulo, Brazil
|
1979
|
|
Maja Bekan
|
A Series of Unexpected Incidents
|
Warsaw, Poland
|
2014–2017
|
|
Avital Geva
|
The Books in Landscape Experiment
|
Palestine, Messer, Kibbutz Metzer, Israel
|
1972
|
|
Nada Prlja
|
Department for Conservation and Restoration
|
Skopje, Republic of North Macedonia
|
2016–2024
|
|
Michael Landy
|
Break Down
|
London, UK
|
2001
|
|
Robert Smithson
|
Partially Buried Woodshed
|
Ohio, USA
|
1970
|
|
Shirley Cameron
|
Washing the Twins
|
Caldas da Rainha, Portugal
|
1977
|
|
Katharina Fritsch
|
Madonnenfigur
|
Münster, Germany
|
1987
|
|
Jacob Epstein
|
Oscar Wilde’s Tomb
|
Paris, France
|
1912
|
|
Hew Locke
|
Restoration
|
Bristol, UK
|
2006
|
|
Barry Flanagan
|
Cambridge Piece
|
Cambridge, UK
|
1972
|
|
David Hammons
|
How Ya Like Me Now?
|
Washington DC, USA
|
1989
|
|
Olivia Hernaïz
|
Brussels Anti-Demolition Campaign
|
Brussels, Belgium
|
2012–2013
|